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HI, I'M JASON BROWNLEE
Enter at your own peril
"A spiritual awakening brought me to art" I am inspired by nature, ethnic art, aboriginal, tribal, abstract modernism and I use all mediums, I love colour and form, these take priority in my work, Jason Brownlee.
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ARTISTS STATEMENT
A visual journey of idiosyncratic work
Artists Statement
A spiritual awakening brought me to the artworld in 2017, I am inspired by nature, colour, form, composition, ethnic and tribal art have also had a huge impact on my practice especially that of the aborigines with their primitive yet complex mark making, my work has also been influence by some of the greats from the modernist movement with Jackson Pollock and Pablo Picasso being at the forefront but I do find my art practice is forever changing and evolving with new ideas and concepts filling every corner of my capacious imagination creativity running wild, light and darkness sprouting from a seed that was planted in childhood only to be awoken three and a half years ago, this seed has grown into a beautiful tree spreading its branches in all directions trying to catch the sunlight before it's cut down, a late starter that’s me, so I find myself regressing back to the innocence of infancy reclaiming what was rightfully mine, the joy of painting as if I was a child again, this explains my childlike approach to painting and a compulsion to create with passion and spontaneity, embracing and nurturing that lost child within. I have an appreciation for art in all its forms including poetry, never being one to conform in society I have always lived my life by my own rules until recently. I experience great pleasure from experimenting with all mediums but find comfort in painting and collage, these I believe take the form of abstract expressionism and figurative abstract the place I feel most at home, “embracing many individual styles marked in common by freedom of technique, a preference for dramatically large canvases, and a desire to give spontaneous expression to the unconscious.” (Mifflin and Harcourt, 2020).
Jason Brownlee 2020.
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MY LATEST BODY OF WORK
CONCEPT TO CANVAS
This body of work is a celebration of colour and is totally subjective to the audience. Concept to canvas is a series of paintings both abstract and figurative abstract that allows you the viewer to investigate the mind of the artist, created from a phenological perspective my own, these paintings are my interpretation of the world around me gained through experiences of the environment in which I live and in return this creates knowledge that is unique to me and allows me to create through an embodied experience as a living breathing organism. I am influenced by some of the greatest twentieth century artists to have lived, artists such as Pablo Picasso, Paul Jackson Pollock and Jean-Michel Basquiat. I'm Intrigued by the different styles and techniques they have developed and mastered over the years, and I choose not to be tied down to one style of painting. I am a prolific creator of art and feel the need to create, sometimes more than one copy of the same painting using different mediums, oil-paint, acrylics and sometimes fabric are the mediums that I am most comfortable working with, this is a compulsion to create that drives me and makes me who I am as an artist. Pareidolia appears in some of my artwork, it is an optical illusion that tricks the eye into seeing familiar shapes and forms usually animals or faces, an example of this could be seen in cloud formations or woodgrain, sometimes I deliberately set out to incorporate this in my work but sometimes it just happens by chance. Process is very important to me, and Formal Art is a big part of my art practice, line, tone, shape, form, colour, pattern, texture and composition are more important to me rather than the subject matter. Creating art is a cathartic process which feels a void inside of me, I love to be in the moment creating spontaneously forever experimenting and discovering new things, never being afraid to colour over the lines there are no mistakes in art. I do hold close to my heart the theories of Formalism and how a painting doesn’t have to be a good painting to tell a good story, they created art for art's sake, this is my approach to painting, painting what makes me happy and, there's no elaborate academic words running in correlation with the artworks, pretending it's something it is not, it is simply art for art's sake. Although I do like my artwork to be ascetically pleasing to the audience and have a certain amount of balance to it, this is a celebration of Art that is completely subjective, and I hope that conveys my love and passion for art.
Jason Dean Brownlee.
ABSTRACT
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ABSTRACT PAINTING
Abstract painting is key to my practice, applying paint to canvas spontaneously always experimenting with new tools to manipulate the paint be it with a credit card, stick or paintbrush the outcome is predictably unpredictable so as an artist the value of not knowing where an artwork is heading has brought to light many things which have given me a greater understanding of myself as an artist, learning to replicate certain processes, achieving similar outcomes is starting to define my practice as an abstract painter
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PHENOMENOLOGY
The use of phenomenology as a theoretical framework for my art practice allows me to visualize my own perception of life gained from my personal experience as a living breathing human being and allows me to examine my lived experience by trying to suspend assumptions and judgements and being as open as possible to the things I'm encountering, so my perception is not affected by fixed cultural ideas. By examining these experiences through a phenological lens, I can create artworks that are totally unique to me, a wonderful gift, a true phenomenon of this known unknown universe.
"Don't be afraid to colour over the line"
Jason Brownlee
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Action Painting
Action painting is characterized by a loose, rapid, dynamic, or forceful handling of paint in sweeping or slashing brushstrokes and in techniques partially dictated by chance, such as dripping or spilling the paint directly onto the canvas. Pollock first practiced Action painting by dripping commercial paints on raw canvas to build up complex and tangled skeins of paint into exciting and suggestive linear patterns. (Abstract Expressionism | Definition, History, Facts, & Artists, 2020).
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PAREIDOLIA
I have always had a unique perspective on life with me seeing familiar shapes and forms in the most unlikely of places, such as faces in stone walls or woodgrain and particularly in cloud formations, this is an optical illusion or tricks of the eye. My physical condition causes me to see objects, faces and there is a Psychological phenomenon called pareidolia which describes something similar happening. “Pareidolia is a psychological phenomenon that causes people to see patterns in a random stimulus. This often leads to people assigning human characteristics to objects.” (Mead, 2019).
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FIGURATIVE ABSTRACT
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COMBINING ABSTRACT PAINTING AND FIGURATIVE ABSTRACT
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FORMALISM
Formalism is a crucial factor to my art practice and the creation process within that, it determines the finished outcome of a piece of work, stripping it back to its basic elements line, tone, colour, shape, form, pattern, texture, and composition is sometimes more relevant to me than the subject matter of the artwork. I sometimes just create for the pleasure of creating; an image appears from inside my head, there is no rhyme or reason or hidden meaning and so I must put brush to canvas and paint. I do admit there has to be a certain amount of order in one of my paintings, a balance that is aesthetically pleasing to the eye. “Formalism was a movement that wanted to create artworks just because of art’s sake; it was about the artistic skill of how the artists balance certain elements in the art to accomplish balance.” (Formalism in Art and Design, 2020)
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UPCOMING EXHIBITION
This section includes highlights of some of my latest work, as well as information about exhibitions and shows. If you have any questions please call on the number provided.
Our end of year exhibition at Plymouth University has been cancelled due to the coronavirus outbreak and will now appear online in a virtual gallery, dates and link coming soon.
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In my current module, I am exploring Pablo Picasso's addiction and unhealthy obsession towards women.
Obsession by Jason Brownlee Acrylic on canvas 1200x600mm
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STAGE TWO END OF YEAR EXHIBITION UNIVERSITY OF PLYMOUTH
LINK: https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.artsteps.com%2Fembed%2F5e95e81518695b402b4d6d1e%2F560%2F315%3Ffbclid%3DIwAR2dIAfCECqmTvFs6U6nWrG_Vd0ZPPOSEQbbjLjAWhvuurxI-EiVtrtjppc&h=AT32RhTcguk_UUrHd53az0rAuDSH6pO5McEhZtTXjgG8IhTgz8pM855EuoWrF87KbqDsYAeqOkYObdHmhoQnRiu7N4Ls1NXWTWIBXjt_vCwexE_p1hJF5fZhVMnqF0nRqDSt&__tn__=-UK-R&c[0]=AT3NQCsmwJY4HSu4m-zKehxhaACRxyOmy5TGJY_YFOVKJyJGl-pOmIXDaiJbKy9br82yjByucsHzPDZbchf15x2P7wRmfk1hpbwfkIg0wy-RlRDDbRl3nblayJz-oYTsUuMJBYa6lpHtLz1OwAbOnd73RyDle6P6
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ART THAT MAKES YOU LOOK TWICE
15,05,2020
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MY FINAL BODY OF WORK
SUMMATIVE ASSESSMENT SECOND SEMESTER SECOND YEAR PLYMOUTH UNIVERSITY
I created this body of work as a direct response to Pablo Picasso's poetry, by using the technique of diagraming I fragmented the poems into keywords from which I form an opinion of the man, this run in correlation with my research which led me to the understanding that Picasso was indeed addicted to sex and had an unhealthy obsession with women.
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FINAL PIECE
FORMAL ART
JUDGEMENT DAY OIL ON CANVAS
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DIGITAL PICTURE
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ART IS PASSION
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VOODOOMONKEY
TRUE ART
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YOU MAKE YOUR OWN DREAMS COME TRUE IN THIS WORLD.
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MY EXHIBITION ROYAL WILLIAM YARD 2019
Image Subtitle
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PLYMOUTH
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PLYMOUTH
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ART THAT MAKES YOU LOOK TWICE
PAIN TO ACHIEVE PERFECTION IN DANCE
A body of experimental
A body of work trying to depict both movement and pain for perfection in dance, multi mediums.
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CONSUMERISM AND THE DEVASTATING TRADE IN PALMOIL.
Gallery Subtitle
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GALLERY
Visual Collection
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THE DESTRUCTION CAUSED BY NESTLES CHOCOLATE COMPANY IN SUMATRA FOR THE PRODUCTION OF PALM OIL. FOLLOW LINK BELOW
CONSUMERISM AND THE PALMOIL TRADE
Blood Money
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CHAOTIC WORLD
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PROFESSIONAL HISTORY
Work Experience
August 31 10 2018
Full-time student at Plymouth university
"Don't be intimidated by what you don't know, that's what makes you different"
Me
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